“There was an old Egyptian chap,” he said, “a governor of one of their provinces, thousands of years before the Pharaohs were ever heard of. They dug up his tomb a little while ago. It bore this inscription: ‘In my time no man went hungry.’ I’d rather have that carved upon my gravestone than the boastings of all the robbers and the butchers of history. Think what it must have meant in that land of drought and famine: only a narrow strip of river bank where a grain of corn would grow; and that only when old Nile was kind. If not, your nearest supplies five hundred miles away across the desert, your only means of transport the slow-moving camel. Your convoy must be guarded against attack, provided with provisions and water for a two months’ journey. Yet he never failed his people. Fat year and lean year: ‘In my time no man went hungry.’ And here, to-day, with our steamships and our railways, with the granaries of the world filled to overflowing, one third of our population lives on the border line of want. In India they die by the roadside. What’s the good of it all: your science and your art and your religion! How can you help men’s souls if their bodies are starving? A hungry man’s a hungry beast. “Don’t drag me back,” she whispered. “It’s all finished.” She raised herself up and put her arms about Joan’s neck. “It was hard at first, and I hated you. And then it came to me that this was what I had been wanting to do, all my life—something to help him, that nobody else could do. Don’t take it from me.”!

He glanced at the clock. “I’ll give you five minutes,” he said. “Interview me.” He turned to her with his last flicker of passion.

“It’s a new world we shall be called upon to build,” he said. “We must pay more heed to the foundation this time.” The girl gave a short laugh. “Afraid I wasn’t thinking much about that,” she said. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.